SethGodin

I spread your idea because…

 

Ideas spread when people choose to spread them. Here are some reasons why:

  1. I spread your idea because it makes me feel generous.
  2. …because I feel smart alerting others to what I discovered.
  3. …because I care about the outcome and want you (the creator of the idea) to succeed.
  4. …because I have no choice. Every time I use your product, I spread the idea (Hotmail, iPad, a tattoo).
  5. …because there’s a financial benefit directly to me (Amazon affiliates, mlm).
  6. …because it’s funny and laughing alone is no fun.

    7. Read more

Blueberry pancakes and battleships

The typical industrial-era organization is like a battleship. Hundreds or thousands of people onboard, and most of them are essential–but most of them aren’t actually directly responsible for the work that we hired the battleship to do. Without the fuel people, the navigation team, the folks in the med corps and on and on, it doesn’t work.

The battleship can go far, with impact, and change the course of history. While it has exactly one captain, it’s the synchronized work of more than a million people (when you think about all the machinists and support folks back home) and it works. It does what we ask it to do.

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Only You Can Make Zero Unemployment Real

A dozen generations ago, there was no unemployment, largely because there were no real jobs to speak of. Before the industrial revolution, the thought that you’d leave your home and go to an office or a factory was, of course, bizarre.

What happens now that the industrial age is ending? As the final days of the industrial age roll around, we are seeing the core assets of the economy replaced by something new. Actually, it’s something old, something handmade, but this time, on a huge scale.

The industrial age was about scarcity. Everything that built our culture, improved our productivity, and defined our lives involved the chasing of scarce items.

On the other hand, the connection economy, our economy, the economy of the foreseeable future, embraces abundance. No, we don’t have an endless supply of the resources we used to trade and covet. No, we certainly don’t have a surplus of time, either. But we do have an abundance of choice, an abundance of connection, and an abundance of access to knowledge.

We know more people, have access to more resources, and can leverage our skills more quickly and at a higher level than ever before.

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Building your backlist (and living with it forever)

Authors and musicians have one, certainly. This is the book you wrote seven years ago or the album from early in your career. The book keeps selling, spreading the ideas and making a difference. The album gets played on the radio, earning you new fans.

“Backlist” is what publishers call the stuff that got published a while ago, but that’s still out there, selling.

The Wizard of Oz, Bob Dylan’s Greatest Hits and Starsky and Hutch all live on the backlist.

Without a backlist, all book publishers would go out of business in no time. The backlist pays dividends long after the work is over.

Advertisers didn’t used to have a backlist. You paid for that magazine or newspaper or TV ad, and within just one cycle, it was gone, forever.

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Should you work for free?

That depends on what you mean by “work” and by “free.”

Work is what you do as a professional, when you make a promise that involves rigor and labor (physical and emotional) and risk. Work is showing up at the appointed time, whether or not you feel like it. Work is creating value on demand, and work (for the artist) means putting all of it (or most of it) on the line.

So it’s not work when you indulge your hobby and paint an oil landscape, but it’s work when you agree to paint someone’s house by next week. And it’s not work when you cook dinner for friends, but it’s work when you’re a sous chef on the line on Saturday night.

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In Praise of Slow Media

Slow media is patient. It’s not on a deadline. It isn’t measured in column inches. It can be calm instead of sensational, deep instead of superficial.

In the age of “Breaking news, Emmy nominations announced!” and 140 characters, it’s sort of surprising to realize that we are also living in the golden age of slow media.

For years, on Sunday mornings, you could find me sitting in my driveway, recently arrived home from one errand or another, listening to Krista Tippett’s extraordinary interviews on the radio. Thanks to the web, there’s no need to sit in your car any longer, and Krista’s groundbreaking approach is spreading. Spending 90 minutes in the studio with her to create this week’s show was, for me, one of the highlights of my career. (download).

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Learning how to see

If you want to make something new, start with understanding. Understanding what’s already present, and understanding the opportunities in what’s not. Most of all, understanding how it all fits together.

Watch the last two minutes of the classic film, 2001. Today’s technology would allow someone to make a short film like this with very little effort. But could you? The making isn’t the hard part, in fact. It’s the seeing.

Would you have the guts to go this slow? To use music this boldy? To combine iconography from three different centuries over two millenia?

Where is the explosion of the death star and where are the hackneyed tropes of a hundred or a thousand prior sci-fi movies?

Stanley Kubrick, the film’s director, saw. He saw images and stories that were available to anyone who chose to see them, but others averted their eyes, grabbed for the easy or the quick or the work that would satisfy the boss in closest proximity.

When everyone has the same Mac and the same internet, the difference between hackneyed graphic design and extraordinary graphic design is just one thing—the ability to see.

Seeing, despite the name, isn’t merely visual. I worked briefly with Arthur C. Clarke thirty years ago, and he saw, but he saw in words, and in concepts. The people who built the internet, the one you’re using right now, saw how circuits and simple computer code could be connected to build something new and bigger. Others had the same tools, but not the same vision.

And all around us, we’re surrounded by limits, by disasters (natural and otherwise) and by pessimism. Some people see in this opportunity and a chance to draw (with any sort of metaphorical pen) something. Others see in it a chance to hide, to settle and to sigh.

The same confidence and hubris that Kubrick and Clarke brought to their movie is available to anyone who decides to give more than they ‘should’ to a charity that has the audacity to change things. While others believe they can (and must) merely settle.

In our best possible future together, I hope we’ll do a better job of learning to see one another.

Some people see a struggling person and turn away. Others see a human being and work to open a door or lend a hand. There are possiblities all around us. Not just the clicks of recycling a tired cliche, but the opportunity to be brave. If we only had the guts.

Seth Godin

 

Freedom in a digital world

For a long time, there was alignment between what we wanted when it came to privacy and what was possible for the government to do. We relished our privacy and got used to the freedom to act anonymously at the same time that the government and marketers really couldn’t keep track even if they wanted to.

In the pre-internet world, there was just no way to imagine a useful database of every citizen’s fingerprints. The thought that a store would know every item you’ve ever purchased (and not just at their store) was crazy. Freedom from intrusion existed largely because the alternative was impossible.

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Why vote? The marketing dynamics of apathy


Here’s what political marketers learn from people who don’t vote:

Nothing.

If you don’t vote because you’re disappointed with your choices, disgusted by tactics like lying and spin, or merely turned off by the process, you’ve opted out of the marketplace.

The goal of political marketers isn’t to get you to vote. Their goal is to get more votes than the other guy. So they obsess about pleasing those that vote. Everyone else is invisible.

Steakhouses do nothing to please vegetarians who don’t visit them, and politicians and their handlers don’t care at all about non-voters.

The magic of voting is that by opting in to the system, you magically begin to count. A lot.

If you don’t like negative ads, for example, then vote for the candidate who ran even 1% fewer negative ads. Magically, within a cycle or two, the number of negative ads begins to go down.

One reason that people don’t vote (a real, usually unspoken reason) is that they don’t want to feel responsible for the person who wins. The other reason is that they don’t want to live with the disappointment of voting for someone who loses. Both of these reasons ignore the marketing reality: not voting doesn’t make marketing or politics go away. It merely changes the person the marketers are trying to please.

Vote today. Bring a friend. If enough smart people start voting again, things will improve, because billions of dollars in political marketing will suddenly be trying to please you.

Seth Godin

Truth and consequences

There’s a huge chasm in most markets: People who want to be isolated from the consequences of their actions, and those that are focused (sometimes too much) on those consequences.

For years, Paula Dean sold cooking shows to an audience that refused to care about what would happen if they regularly ate what she cooked.

Rep. Anthony Weiner wasn’t open to buying warnings about what would happen to his photos and tweets.

At the same time, there’s the audience of new moms that are overeager to baby-proof their home (just in case), the conscientious recycler who doesn’t want to know about the actual costs of picking up that bin out front, and the passionate teacher who sacrifices every day so his students can thrive a decade from now.

If you are selling tomorrow, be very careful not to pitch people who are only interested in buying things that are about today. It’s virtually impossible to sell financial planning or safety or the long-term impacts of the environment to a consumer or a voter who is relentlessly focused on what might be fun right now.

Before a marketer or organization can sell something that works in the future, she must sell the market on the very notion that the future matters. The cultural schism is deep, and it’s not clear that simple marketing techniques are going to do much to change it.

Seth Godin

Originally published on This is Seth’s Blog